David Need – Poems – from St. John’s 5
Chapter XIX.III Wrapped Shrouds
I
Bees and new flies cloud the holly
despite roadwork, April sun much stronger
that should amaze
but’s not there
you seek an old yew tree present as carshop shadows
Merlin salesman with Hegelian muscles
sky reflected in used black Triomphe
among the many possible rooms you had a ticket for
this one
which you held all the way here
they say you walk off the path among trees
you’ll see two trees like door posts
maybe one growing apart in a “V”
think you step through you cross a threshold
you cross a threshold
that’s prayer you step through
those two tree poems lifted
black stroke calligraphy
on the papery sky
then sometimes tickets and prayers don’t match
urban scape repeats when shuffled by morning
you don’t go through the sliding train windows
but slide too to the usual stop
by St. John the Divine, prayer is just brown bricks and
a less congested, more illustrated sky;
it holds the city apart like Moses
for a little while
then the ticket-seller’s return
tall masts of apartment buildings on every side
& gulls circle
the present
*****
then the great scaffold crow stoops
the tallest building’s shadow
*****
wind so perfect collaged
there’s no edges
as seamless eye collapses into display
*****
such confusions are otherwise recognized
as what a room opens under certain passions
so vast a full world assumed
is dreamt this is the descant
perfect spider web that hid Muhammad’s cave
kiss of God
and sometimes a girl with secrets to tell
what passion means against the air
its full weight
once visited,
changes sky
II
Room,
already my eyes have entered before
the seam of my face becomes
a source of angles
perhaps all scars are springs for
action long before
the threshold’s crossed
wound-seed
from which possible
doorways open
already my profile
assumes
I can be seen also
into
this long shoreline I have been carving
stele and bluegrass
III
So often there is a threat an unseen
implication your desire shares in
it was happening again
you were running in a field
out across a field almost free but
there were riders now
and so you fell in the tall grass by a river
there were cottonwoods
it was deep by the river and you turned
into a bird and flew up
it was a good plan ou flew up and the riders
went by underneath
and it was Jesus in armor and banners
and the horses went down to the river
but because you were a bird
because transformation follows form and birds soar and land
you lit in the grass again you were naked in the grass
human boy
and the horses were coming back up
from the river.
****
she left a letter:
don’t you understand?
each of us kills
to live—
that’s the threshold
****
fall, rise, fall
not waves or the sun
death so final no metaphor
crosses
but crows gather sigil
we rise to it too each day
the light in our faces
half sun but also this bright
endeavor
veils cannot conceal
nor color whisper lullaby to shelter
these long, fixed stares
this life all my beauty
each testimony I have sworn
each oath of loyal breath
as yours, O Earth
I also die
despite
and orphan eyed
Chapter XX Touch My Side
I
A mosaic tile between fingers is not a word
and yet is known by tracing it
with several touches
or else is never known because its not
a word; even with eyes shut
something is held between;
in that way world
and body take shape and skin….from a limit
a thousand limits and apple branches
but the invisible said spirit asterassonance
as echo whose tongue also kisses
presses back what knowing
into body’s ship?
II
If followed, the planets design opens new folds
an eye could trace
into the numberless grass sky
and even Descartes’ grid makes knotted trails
towards unend forever vectored axis in spermy
idyll gyres:
infinite distance makes an answer
we travel towards
limit without end
put your hand out
and become a further surface touched
body becomes end-
lessly
in love
& thought follows sister after.
III
In the open, gravity untangles
its legs
like a colt