Category: Fiction

Fiction

Dale Ain’t Dead and Elvis Ain’t Either by G. C. Smith

Here by special request, back from The Dead, April 2005: Southern Legitimacy Statement: I'm for sure Southern cause I chill out on Budweiser while propped up in front of the boob tube watching NASCAR racing. I wrote a novel about murder in the world of Nextel Cup racing. The title is WHITE LIGHTNING. If that don't make me Southern, nothing will...
The Dead Mule School of Southern Literature
Fiction

Trash by Markus Jones

Fixing cattle fences after tree falls and winter winds makes a mess of everything just so I get chance at Joe’s fried mountain oysters isn’t the only reason to live in the southern Appalachians, but it’s a damn good one. Markus Egeler Jones is professor of English and Creative Writing at Lincoln University in Jefferson City, Missouri.
The Dead Mule School of Southern Literature
Fiction

Danny Says–a vignette by AS Coomer

I'm a native Kentuckian currently riding out a purgatorial existence in the arctic Midwestern abyss. I catch glimpses of the bluegrass sometimes, when the sun is exceptionally blinding and making a rare appearance. I can still feel the cool Nolin River on my feet when I slip out of my snow-soaked boots. When I sink the shovel into the mounds of winter-refuse I can still--sometimes--imagine I'm actually just raking the burning leaves of my parents' backyard trees.
The Dead Mule School of Southern Literature
Fiction

Rose by Shari Barnett

It is a quiet portrait of a Southern marriage during the influenza epidemic in the early 20th century. It is nearly the exact opposite of another story I had published in Brevity about meeting Frank Sinatra in Las Vegas in 1983 while dressed as a life size Pac Man. Breadth, right?
Fiction

What Happened to My Brother by Daniel Leach

Dan Leach’s short fiction has been published in various literary journals and magazines, including The Greensboro Review, Deep South Magazine, and The New Madrid Review. A native of South Carolina, he graduated from Clemson University in 2008, and taught high-school in Charleston until 2014 when he relocated to Nebraska. Floods and Fires, his debut short-story collection, will be published by University of North Georgia Press in 2016
The Dead Mule School of Southern Literature
Fiction

Jennifer Green “Keeping a Dead Mule Down”

Southern Legacy Statement – Half Mexican, Half Redneck. I use that to describe my heritage. Upon hearing that: my mother's family gets upset and offended, my father's side laughs and hollers. I'll let you decide which is half is which half. From ages three to eighteen, one year of my life was spent in Southern California, the next in North Georgia. The odd-numbered years were in smoggy cities, people giving me odd looks for ordering sugar in my tea, and mocking me when I say “ya'll.” I was fired from my first California job because customers insisted I insulted them by saying “sir” and “ma'am.” When I got older: I chose fresh air in the woods, people that became your new best friend when you share the counter at Waffle House, and smiles when I reply to statements with “sho'nuff.” Now, I'm the boss and all my employees know full well to treat all customers with respect and address them with “sir” and “ma'am.”
The Dead Mule School of Southern Literature
Fiction

Lemoncharles by southern writer John Calvin Hughes

Southern Legitimacy Statement: I’m John Calvin Hughes, son of a son of a preacher chased out of Mississippi for plucking the flock. I’m a southern boy who moved south and found himself surrounded by Yankees. I’m in Florida. There’s not a hill in sight and the restaurants that specialize in “Real Southern Cooking” put sugar in the cornbread. My own son told me the cat pushing on his chest was "making bagels"!
The Dead Mule School of Southern Literature
Fiction

Christopher Rowe: High Water

“That was a nice cast, boy, your daddy’s been teaching you something right down there in Florida.” “Now, don’t start in again, Hiram. The child wasn’t the one decided to pick up and move off. We’re blessed to have him...
The Dead Mule School of Southern Literature
Fiction

Robert Klein Engler — The Tourist

Southern Legitimacy Statement: I have passed a lot of time living in New Orleans and traveling from there to Des Plaines, Illinois and back to NOLA. I take comfort in living by a river. I know what “lagniappe” means, and I plan on being buried above ground.
The Dead Mule School of Southern Literature
Fiction

Becky Meadows “Three Seconds”

Southern Legitimacy Statement: I grew up on my grandmother and grandfather’s farm, where we ate fried potatoes, green beans (cooked for an entire day or more on the stove in a pot), and cornbread. Fried chicken was a treat we enjoyed, and it was really fried—not the carbon-copy fried chicken found frozen in stores today. We ate tomatoes from the garden (straight from the garden). My southern heritage isn’t limited to food, though—I have the most marvelous southern accent that I have refused to relinquish for academia. I’m proud of my heritage!
The Dead Mule School of Southern Literature
Fiction

Erin Kelly “Sound No Trumpet”

Southern Legitimacy Statement: I talk slow. I eat etouffee, jambalaya and boudin. I've clapped my hands to gospel in hot, crowded churches, and visited Catholic psychics. I've gone through many Louisiana winters in short sleeves and shorts.
The Dead Mule School of Southern Literature
Fiction

Barbara Nishimoto “Identifying Trees”

Southern Literacy Statement I was born and raised in the North, but now have lived most of my adult life in the South. When I first moved my mother acted as though I were moving to another country and told me all the stories she had collected from the tabloids she loved. When she visited during the summer she rolled and tied a hand towel around her head, a desperate hachimaki, and stuffed tissues around its edges to catch the sweat before it fell into her eyes and down her cheeks. “Eight o’clock at night is the same as three o’clock in the afternoon,” she said. “That’s why horses go crazy and impale themselves.”